Horsehunter
HORSEHUNTER's furious, multi-movement sludge separates them from a world of bands that are content to simply pummel, as they range from soft and sinister to unbound aggression half a dozen times in the course of a single song. The Australian's 2015 album "Caged in Flesh" and the self-titled 2019 follow-up present monumental, carefully-constructed epics that may as well have been created to carry fans of SLEEP and NEUROSIS blissfully to Valhalla.
"Day of Doom Live" presents the foursome delivering their crushing brand of music that The Obelisk simply calls, “brutal as shit,” in a special live setting, burning down the metaphorical stage, and branding those who hear it with the mark of true enlightenment.
"Day of Doom Live" presents the foursome delivering their crushing brand of music that The Obelisk simply calls, “brutal as shit,” in a special live setting, burning down the metaphorical stage, and branding those who hear it with the mark of true enlightenment.
HORSEHUNTER's furious, multi-movement sludge separates them from a world of bands that are content to simply pummel, as they range from soft and sinister to unbound aggression half a dozen times in the course of a single song. The Australian's 2015 album "Caged in Flesh" and the self-titled 2019 follow-up present monumental, carefully-constructed epics that may as well have been created to carry fans of SLEEP and NEUROSIS blissfully to Valhalla.
"Day of Doom Live" presents the foursome delivering their crushing brand of music that The Obelisk simply calls, “brutal as shit,” in a special live setting, burning down the metaphorical stage, and branding those who hear it with the mark of true enlightenment.
"Day of Doom Live" presents the foursome delivering their crushing brand of music that The Obelisk simply calls, “brutal as shit,” in a special live setting, burning down the metaphorical stage, and branding those who hear it with the mark of true enlightenment.
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